"Infrastructures of Control": Q&A with the Geographers Behind University of Arizona's Border Surveillance Photo Exhibition

EFF update
3 weeks 2 days ago

Guided by EFF's map of Customs & Border Protection surveillance towers, University of Arizona geographers Colter Thomas and Dugan Meyer have been methodologically traversing the U.S.-Mexico border and photographing the infrastructure that comprises the so-called "virtual wall."

Anduril Sentry tower beside the Rio Grande River. Photo by Colter Thomas (CC BY-NC-ND 4.0)

From April 12-26, their outdoor exhibition "Infrastructures of Control" will be on display on the University of Arizona campus in Tucson, featuring more than 30 photographs of surveillance technology, a replica surveillance tower, and a blow up map based on EFF's data.

Locals can join the researchers and EFF staff for an opening night tour at 5pm on April 12, followed by an EFF Speakeasy/Meetup. There will also be a panel discussion at 5pm on April 19, moderated by journalist Yael Grauer, co-author of EFF's Street-Level Surveillance hub. It will feature a variety of experts on the border, including Isaac Esposto (No More Deaths), Dora Rodriguez (Salvavision), Pedro De Velasco (Kino Border Initiative), Todd Miller (The Border Chronicle), and Daniel Torres (Daniel Torres Reports).

In the meantime, we chatted with Colter and Dugan about what their project means to them.

MAASS: Tell us what you hope people will take away from this project?

MEYER: We think of our work as a way for us to contribute to a broader movement for border justice that has been alive and well in the U.S.-Mexico borderlands for decades. Using photography, mapping, and other forms of research, we are trying to make the constantly expanding infrastructure of U.S. border policing and surveillance more visible to public audiences everywhere. Our hope is that doing so will prompt more expansive and critical discussions about the extent to which these infrastructures are reshaping the social and environmental landscapes throughout this region and beyond.

THOMAS: The diversity of landscapes that make up the borderlands can make it hard to see how these parts fit together, but the common thread of surveillance is an ominous sign for the future and we hope that the work we make can encourage people from different places and experiences to find common cause for looking critically at these infrastructures and what they mean for the future of the borderlands.

An Integrated Fixed Tower in Southern Arizona. Photo by Colter Thomas (CC BY-NC-ND 4.0)

MAASS: So much is written about border surveillance by researchers working off documents, without seeing these towers first hand. How did your real-world exploration affect your understanding of border technology?

THOMAS: Personally I’m left with more questions than answers when doing this fieldwork. We have driven along the border from the Gulf of Mexico to the Pacific, and it is surprising just how much variation there is within this broad system of U.S. border security. It can sometimes seem like there isn’t just one border at all, but instead a patchwork of infrastructural parts—technologies, architecture, policy, etc.—that only looks cohesive from a distance.

An Integrated Fixed Tower in Southern Arizona. Photo by Colter Thomas (CC BY-NC-ND 4.0)

MAASS: That makes me think of Trevor Paglen, an artist known for his work documenting surveillance programs. He often talks about the invisibility of surveillance technology. Is that also what you encountered?

MEYER: The scale and scope of U.S. border policing is dizzying, and much of how this system functions is hidden from view. But we think many viewers of this exhibition might be surprised—as we were when we started doing this work—just how much of this infrastructure is hidden in plain sight, integrated into daily life in communities of all kinds.

This is one of the classic characteristics of infrastructure: when it is working as intended, it often seems to recede into the background of life, taken for granted as though it always existed and couldn’t be otherwise. But these systems, from surveillance programs to the border itself, require tremendous amounts of labor and resources to function, and when you look closely, it is much easier to see the waste and brutality that are their real legacy. As Colter and I do this kind of looking, I often think about a line from the late David Graeber, who wrote that “the ultimate hidden truth of the world is that it is something that we make, and could just as easily make differently.”

THOMAS: Like Dugan said, infrastructure rarely draws direct attention. As artists and researchers, then, our challenge has been to find a way to disrupt this banality visually, to literally reframe the material landscapes of surveillance in ways that sort of pull this infrastructure back into focus. We aren’t trying to make this infrastructure beautiful, but we are trying to present it in a way that people will look at it more closely. I think this is also what makes Paglen’s work so powerful—it aims for something more than simply documenting or archiving a subject that has thus far escaped scrutiny. Like Paglen, we are trying to present our audiences with images that demand attention, and to contextualize those images in ways that open up opportunities and spaces for viewers to act collectively with their attention. For us, this means collaborating with a range of other people and organizations—like the EFF—to invite viewers into critical conversations that are already happening about what these technologies and infrastructures mean for ourselves and our neighbors, wherever they are coming from.

Dave Maass

[B] 「出鼻を挫かれたネタニヤフ・バイデン偽善工」[西サハラ最新情報】　　平田伊都子

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Federal Court Dismisses X's Anti-Speech Lawsuit Against Watchdog

EFF update
3 weeks 2 days ago

This post was co-written by EFF legal intern Melda Gurakar.

Researchers, journalists, and everyone else has a First Amendment right to criticize social media platforms and their content moderation practices without fear of being targeted by retaliatory lawsuits, a federal court recently ruled.

The decision by a federal court in California to dismiss a lawsuit brought by Elon Musk’s X against the Center for Countering Digital Hate (CCDH), a nonprofit organization dedicated to fighting online hate speech and misinformation, is a win for greater transparency and accountability of social media companies. The court’s ruling in X Corp. v. Center for Countering Digital Hate Ltd. shows that X had no legitimate basis to bring its case in the first place, as the company used the lawsuit to penalize the CCDH for criticizing X and to deter others from doing so.

Vexatious cases like these are known as Strategic Lawsuits Against Public Participation, or SLAPPs. These lawsuits chill speech because they burden speakers who engaged in protected First Amendment activity with the financial costs and stress of having to fight litigation, rather than seeking to vindicate legitimate legal claims. The goal of these suits is not to win, but to inflict harm on the opposing party for speaking. We are grateful that the court saw X’s lawsuit was a SLAPP and dismissed it, ruling that the claims lacked legal merit and that the suit violated California’s anti-SLAPP statute.

The lawsuit filed in July 2023 accused the CCDH of unlawfully accessing and scraping data from its platform, which X argued CCDH used in order to harm X Corp.'s reputation and, by extension, its business operations, leading to lost advertising revenue and other damages. X argued that CCDH had initiated this calculated “scare campaign” aimed at deterring advertisers from engaging with the platform, supposedly resulting in a significant financial loss for X. Moreover, X claimed that the CCDH breached its Terms of Service contract as a user of X.

The court ruled that X’s accusations were insufficient to bypass the protective shield of California's anti-SLAPP statute. Furthermore, the court's decision to dismiss X Corp.'s claims, including those related to breach of contract and alleged infringements of the Computer Fraud and Abuse Act, stemmed from X Corp.'s inability to convincingly allege or demonstrate significant losses attributable to CCDH's activities. This outcome not only is a triumph for CCDH, but also validates the anti-SLAPP statute's role in safeguarding critical research efforts against baseless legal challenges. Thankfully, the court also rejected X’s claim under the federal Computer Fraud and Abuse Act (CFAA). X had argued that the CFAA barred CCDH’s scraping of public tweets—a erroneous reading of the law. The court found that regardless of that argument, the X had not shown a “loss” of the type protected by the CFAA, such as technological harms to data or computers.

EFF, alongside the ACLU of Northern California and the national ACLU, filed an amicus brief in support of CCDH, arguing that X Corp.'s lawsuit mischaracterized a nonviable defamation claim as a breach of contract to retaliate against CCDH. The brief supported CCDH's motion to dismiss, arguing that the term of service against CCDH as it pertains to data scraping should be deemed void, and is contrary to the public interest. It also warned of a potential chilling effect on research and activism that rely on digital platforms to gather information.

The ramifications of X Corp v. CCDH reach far beyond this decision. X Corp v. CCDH affirms the Center for Countering Digital Hate's freedom to conduct and publish research that critiques X Corp., and sets precedent that protects critical voices from being silenced online. We are grateful that the court reached this correct result and affirmed that people should not be targeted by lawsuits for speaking critically of powerful institutions.

Aaron Mackey